I never have a fixed agenda when I embark on a new piece of work, especially in a new location. My work is informed through conversations and exchanges, be that with people who use the space or the location itself. This is not a process that can be rushed, it is imperative to listen to what you are being told and I employ all my senses in this.
But how do you engage with a building? It is a bit like meeting someone for the first time who you know you are going to be friends with (though you might not necessarily like each other). A lot depends on how things ‘Feel’ for me, this will lead me to the next step or question and I take my lead from there.
This residency was different in that I am familiar with cultural spaces, the gallery, the cafe, the cinema and I understand the language of each those. However, this was a different unfamiliar landscape and the nuances of the language were different. In addition I knew very little about the language of architecture. This was when I realised there was a difference between ‘the space’ and ‘the building’.
The Engage Residencies were focussed on disability and engagement. There are obvious differences between visible disabilities and hidden disabilities. This extends to how people engage, react or think about those who experience the hidden ones. This is further complicated because sometimes those hidden disabilities are more present or visible than others.
From walking through the massive sliding door of DCA I had to ask myself how do I negotiate the space to the front of house desk and beyond. Learning the language of the space and building was not straight forward. DCA as a place is not static. I like to know if a wall is a wall – permanent, still – but in DCA what looks like a wall could quite easily be a closed door – and knowing this affects how I would engage with that space.
Bearing all this in mind – the multi use building, the different cultural and social spaces, the psychology of architecture and urban spaces – I worked in the print room to produce responsive works from my conversations and observations.
Some of the works reference disability directly and others play with the notion of what is acceptable or normal or a disability per se. Similarly, some are more obvious or visible than others.
1. Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits.
I came up from Newcastle yesterday, all was going well except a diversion took me all the way back nearly Perth when I wanted the Tay Bridge. There is a slight difference between a diversion and a detour. I will be writing to Scottish Roads soon. I’m staying over the water so I actually look at Dundee. I really did get lost in Dundee. I was trying to follow the road signs to the Tay Bridge a couple of trips missing the flying over and narrowing down the lane roulette soon had me on the right track. I will be writing to Scottish Roads about adequate signage but also thanking them that they made a truth from my blog title and hash tag.
At DCA I entered from the car park. That Lift entrance, that ‘Shaft’ - it’s like being in one of those dodgy 70’s estates in some forsaken new town with dodgy subways where you just wouldn’t go for fear of what you’d find. Luckily I just found an empty lift with the aroma of yesterdays a la carte. (The food there is fine by the way). Straight up to the meeting room and artist talk time. Jackie Smith was first up and check out her blog.
My attempt at a talk was a fair effort but less chaos and more structure would have been good. It was more of a travelogue through my work, stopping off at some of the more interesting places. Well that’s my take on it. If nothing else everyone was impressed with the raspberries and cheese. Whilst the whole Bipolar stuff didn’t get many laughs - which surprised me - the bit about anxiety and being (or not being) a ‘Lurker’ raised a few hearty chuckles.
So it’s time to knuckle down and make some work. I have run a few ideas past Sarah (Derrick) and will start putting them into action in the coming days. Tomorrow though is Laser Day. i get to be inducted on the laser cutter and i can’t wait.
The Engage Everyone project based at Dundee Contemporary Arts is running 2 Artist Residencies simultaneously until the middle of October. I am fortunate to be based in the Print Room at DCA for the majority of this time. I hope I am more Kid in a sweet shop than bull in a china shop. We’ll see.
Just so as you can get a feel for the stuff I do and the approach I have to making work you can see a general statement below.
Aidan Moesby is a socially engaged artist. His process is based around dialogues and conversations, forming the foundation of his research these lead to creative responses. These conversations may include one to ones with people or organisations or a more forensic dialogue with specific sites and locations. They may be spoken, observed or creative and are about discovering stories - we are constructed of our memories and these form and influence our identities. These personal and organisational myths affect how we are in the world and influence our relationships.
Moesbys’ work is further informed through the imagery and rituals we use to create and make sense of the everyday. He explores relationships between people and place through the distillation of intimate, often concealed histories. Often site-specific, no matter what the medium – ink, pixel, parquet, dust – the word and its meaning is paramount. He is obsessed by all things text and the letterpress tradition.
I arrived in Dundee on the afternoon of the 28th of August so I could settle in for a day, explore Dundee, get a feel for the place. The good news is I like Dundee. Phew! Part of my remit is looking at engagement in its’ broadest and unprescriptive sense - I am a keen explorer of social media. As I don’t know anyone in Dundee I am using the hash tag #lostindundee and #artontheroad together with the more official #engageeveryone.
I was going to blog as I went along but so much happened and the restrictions of B & B it didn’t quite work like that. I will be reflecting on the experience from here on in. It’s not just about DCA it’s also about being an artist in a strange town, alone for 5 weeks and living and working. The process of being resident as well as doing a residency.